Jean-Baptiste-Camille Corot, The Lady in Blue, 1874, oil on canvas. Musée du Louvre, Paris, Département des Peintures © RMN-Grand Palais / Art Resource, NY, photo by Stéphane Maréchalle

The National Gallery of Art in Washington presents 44 engaging portraits of women by the celebrated French artist.

Jean-Baptiste-Camille Corot (1796 – 1875), a master landscape artist, was renowned for his representation of natural light and realistic pastoral settings. During the course of his long career spanning the 1830s to the 1870s, he relaxed his precise technique and painted in a looser style reflecting the beginnings of early impressionism. He was praised by Degas, Cézanne, and others; Monet said, “There is only one master here — Corot.”

Jean-Baptiste-Camille Corot
Corot’s Studio: Woman Seated before an Easel, a Mandolin in Her Hand, c. 1868 oil on wood. National Gallery of Art, Washington, Widener Collection

This unique exhibition offers examples of Corot’s lesser-known portraits. He masterfully captures the delicate features of a woman — the soft complexion, the depth of her gaze, the graceful movements — then bypasses their beauty to present them in introspective and unusually somber moods. The models wear muted tones. There are few smiles.

Some of the works capture that intimate moment when the subject turns, in distraction, to an unexpected visitor. In fact, many of the figures in this exhibit are partially or even completely turned away from the viewer, as when the model is seated, painting at her own easel. Are we intruding?

In a captivating painting entitled “Interrupted Reading,” Corot expertly depicts the impatience of a young woman, staring at us as she waits to return to her book.

Jean-Baptiste-Camille Corot,
Interrupted Reading, c. 1870,
oil on canvas mounted on board. The Art Institute of Chicago, Potter Palmer Collection
The Art Institute of Chicago / Art Resource, NY

We also see examples of Corot’s reclining nudes, significant in his era and considered overtly sensual and scandalous. In his painting “Marietta,” the model is actually identified in the title of the piece — shocking for 1843! Ironically, it’s the nude subjects that look directly at the viewer, not averting their gaze as in his other portraits.

National Gallery of Art, 6th & Constitution Ave., NW, Washington, DC
www.nga.gov
Tel: 202-737-4215
September 9 through December 31, 2018

Jean-Baptiste-Camille Corot,
Marietta (Roman Odalisque), 1843
oil on paper mounted on canvas. Petit Palais, Musée des Beaux-Arts de la Ville de Paris © Petit Palais / Roger-Viollet
Jean-Baptiste-Camille Corot,
Springtime of Life, 1871, oil on canvas. Minneapolis Institute of Art, Bequest of Mrs. Erasmus C. Lindley in memory of her father, James J. Hill
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Phil Tremo is the France Today Ambassador for Washington DC. Phil has been charmed by France ever since a school trip to the popular Festival d’Avignon. Over the years, he has explored many regions of l’Hexagone, including a recent vacation to Champagne to pick grapes during harvest season - Santé! Back at home in Washington, D.C., he enjoys a variety of French cultural events, including films, concerts, and language classes. He is excited to be representing France Today in the D.C. area.

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