Frida Kahlo and Diego Rivera

 
Frida Kahlo and Diego Rivera

Diego Rivera and Frida Kahlo formed one of the most iconic, tumultuous couples of the art world. They were united by marriage, their love of Mexico and their political engagement, and separated by his errant ways and her ill health. While his work is monumental in scope and scale, her work feels unsettling and introspective. Both incorporated elements of the ancient culture of their land and contemporary western influences. Their mercurial and creatively fecund relationship is now coming together in an exhibition at the Musée de l’Orangerie in Paris.

The director of the museum and curator of the exhibition, Madame Marie-Paule Vial, explained how she conceived the experience in three parts. First, the lesser known Rivera period in Paris, where he admired the work of Matisse, Soutine and Picasso. In the second hall Frida and Diego come together, sharing a love of their land and its people. In the final section there is a surprise – a recreation of the room where much of Frida’s later life unfolded due to her chronic pain. She famously said “I paint self-portraits because I am so often alone, because I am the person I know best.” These intimate paintings blend with the photographs, video and elements of the celebrity that they both fostered and endured. As a bonus, there is a “Fridamania” wall, with a collection of the myriad of kitsch and collectors’ items she inspired all over the world.

For her first exhibition abroad, Frida Kahlo relied on an invitation by André Breton to show in Paris. It was 1939 and Frida was not only disappointed to find that no such exhibition had been organised, but also by what she called the good for nothing French intellectuals that made her sick spending all their time sitting in cafés just talking. With characteristic directness, she laid part of the blame for the rise of fascism on their insouciance. On that occasion Marcel Duchamp saved the day and Frida’s work was squeezed into a collective Mexican-themed exhibition cobbled together at the last minute. How times have changed – this latest exhibition is one of the most eagerly awaited events in Paris this autumn.

The Musée de l’Orangerie is best known for Monet’s Nymphéas (Water Lilies) series. The artist picked the site personally in 1920 and supervised seven years of renovations to display the work to its best advantage. The museum has since grown to become a sort of Sistine Chapel of Impressionism, while still managing to retain a friendly and forgiving size. It’s the type of museum where you thankfully don’t need to plan your visit with military precision to get the sense that you’ve seen and appreciated it all. Madame Vial best describes the museum as a “harbour of peace in the middle of the city, calm and with beautiful light. A marvellous example of a musée de charme.”

Practical Information

Frida Kahlo et Diego Rivera “Art in Fusion”: October 9, 2013 to January 13, 2014. Musée de l’Orangerie, Place de la Concorde, Paris 1st arrondissement, Métro: Concorde. Open daily 9am–6pm, Closed Tuesday. €7.50 (combined entrance with Musée d’orsay €16). +33 1 44 50 43 00.

Originally published in the October-November 2013 issue of France Today

 

 

 

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